You have that right for sure. All you can do is get it out to publishers and such like and hope
that someone can see a match... and then hope it does well.
You have a good point too Boydie about people who are trying to write hits following a different path to those who are out to write good creative music. I would agree that if you had done that thing with the hits before they were hits, many of the songs would have gotten slated for being boring, creativless and unoriginal. Although I am one of those who will comment on boring, done a million times chord choices, I have realised that it is not the chords themselves that bothers me, but the way in which they are presented. Presented in the same tired old way with no hint of anything interesting being done with them and it immediately falls flat on its face for me. However those same tired, boring chords CAN make a good song IF you do something more than just strum them AGAIN on an accoustic. Many pop songs do this of course, playing with rythmns, adding counterpoint and interesting synth riffs...
I certainly don't think that all pop is rubbish, far from, there's plenty interesting enough pop songs out there.
Even when the writer has settled on the over used chords and the unoriginal melodies, it has to be done well, extremely well to stand up against what are current hits. Keeping up with the latest trends in synths is hard enough.
So writing 'now' sounding hit type records is more difficult than you think, even though you barely have to think about chord choices, so unless you really get it right, it will sound like those same old chords being forced out in that same old way. Boring and cliched.
That's why for me, some of the songs on here that are aiming for exactly that, sound old tired and cliched and not like something I can imagine being a hit.
So it Isn't really the chords, although sometimes I wonder if people have any imagination at all with some things that I hear, but more what you do with them. For me anyway