Andy asked me to explain a bit about what I did to mix the song, so here goes, hopefully it can be a bit helpful:
I just worked with the tracks which were given to me, which were:
Drums
Bass
Rhythm guitar
Acoustic Rhythm
Acoustic Lead
Lead Vocal
Ending Guitar 1
Ending Guitar 2
I loaded this up in Cubase 5 & they all lined up correctly - that makes my job much easier!
Cubase is setup so I have a I/O bus for each of my inputs and outputs on my audio interface - so 16 input buses and 16 output buses.
I routed each track to inputs 9-16 on my Allen & heath System 8 - a big old mixer I'm slowly upgrading (the first 8 channels havent been changed yet, which is why I used inputs 9-16).
Plugins and the like were then used as insert or send effects from the mixer.
Each track had at least a couple of plugin instances and a few hardware units were used. The plugins I used were:
- Cubase Vintage Compressor
- Cubase Limiter
- Cubase 'Rotary' Effect
- Cubase 'Flanger' Effect
- PSP audioware nobleQ (a pultec-style EQ for $69 - great plugin company IMO)
- Waves Kramer Tape (Tape simulator for $100 when its on offer)
- Voxengo MSED (a very useful freeware plugin - voxengo have quite a few nice free plugins)
- SPL Twintube (distortion plugin for $100 when its on offer)
Hardware used was:
- EQ from the console
- SPL Vitalizer processor
- DBX 118 compressor
- Lexicon MPX200 reverb
- home made distortion pedal
The reverb was setup as a send effect which I sent varying amounts of different tracks to. With a bit more time I would've probably setup 2 or 3 reverb returns as well as a couple of compressor returns
The processing chain for each track:
Drums :: Kramer Tape -> Vintage Compressor -> MSED
Bass :: Console EQ -> Limiter -> distortion pedal -> Vitalizer
Rhythm guitar :: (I duplicated the guitar and offset one of the tracks by a few ms, to give a very nice stereo effect, then processed both tracks together) :: DBX 118 -> flanger
Acoustic Rhythm :: NobleQ
Acoustic Lead :: EQ -> Kramer Tape (for a tape delay) -> Twintube
Lead Vocal ::did some pitch correction, then, EQ -> Limiter -> Vintage Compressor -> nobleQ -> Vitalizer
Ending Guitar 1 :: EQ -> Vintage Compressor -> Rotary effect -> MSED
Ending Guitar 2 :: EQ -> Vintage Compressor -> MSED
And most of the tracks (except bass) had some amount of the reverb!
I then bounced down the stereo mixdown into cubase and used PSP Xenon and Kramer Tape again to 'master' it...