Hi Bill, thanks so much for buying a copy of my comedy thriller, which I’m pleased to say most people have enjoyed. So good luck with the read! Cheers 👍
Well done on getting the album out - yet another one in fact. I thought ‘Golden Years’ was going to be your last one for posterity, but there seems to be no stopping you now. I’ve had a random listen to a few of these new tracks, but will come back to them properly over the next few days.
You seem to be elongating the instrumental elements to your work, or going completely instrumental. I did like that nifty guitar picking on the opener, then that clever panning effect.
The title track, ‘Predetermined’ sounds like a modern hymn/anthem and sung in a most heartfelt way with nice harmonies too. The guitar break is very confident too, until it surprisingly ends - to be replaced by that amazing Spanish style start to ‘Moon Under Water’, another evocative instrumental. I liked how all the percussion fell away to leave the haunting flute then violin. Very moody stuff.
If you needed the cobwebs blowing away then track 4 is just the ticket with its manic riffing and polished solo. It’s definitely surprising how that one develops into more melodious territory, before going manic again. I think these unexpected twists you are putting into your songs is quite a feature and certainly a strength.
From there, ‘High and Dry’ sounds like it could be a film soundtrack. I wondered if you are doing all the extra instrumental stuff as you are hoping for synch deals. You’ve certainly got some ammo no to explore that territory. The vocal element to it, when it finally arrives is yet another surprise! Nice climactic ending.
I finished off with London, tonight, but will be back for more soon. Short and sweet that one, with non nonsense riffing and some tasty licks. Again quite an anthemic chorus.
All really good stuff, Bill, sounds like you’ve being living a productive time through COVID. Good luck with the streaming.
And yep, cheers for the book purchase once more. 👍