Ah, the serialists would be proud! Maths and music have quite the history.
I did some 12tone/serialism at uni. It was a fun experiment and taught me much. But I didn't like the rigidity, (nor the inherent atonality)
This however works wonders. Sticking to more aurally pleasant chord structures and playing with timings and harmonic stacking instead is a much more approachable way to mathematise music.
It makes me think of Thom Yorke's solo stuff, along with some recent Bjork work. Very intense yet enjoyable listening that doesn't jar the ear for the sake of it, as some experimental styles do.
I look forward to hearing more!